Choir Rehearsal Agenda

 Choir Rehearsal Schedule and Rehearsing Techniques
from "Guidelines for Choir Directors pg. 79

AGENDA
  The following is a typical rehearsal agenda
for a ward choir:
1. Opening prayer (assigned by the choir
president)
2. Announcements by the choir president
3. Introduction of new members by the
choir president
4. Other choir business
5. Rehearsal time, which usually includes:
a. A short warm-up period, using
warm-up exercises, a familiar hymn,
or another simple piece of music
(for example, “I Need Thee Every
Hour”)
b. More difficult anthems and other
challenging pieces.
c. New music.
d. Other music in need of work.
e. A piece the choir does well.

REHEARSING A
NEW PIECE OF MUSIC
Following are some suggested steps for
rehearsing a new piece of music. All of these
steps do not need to be done in a single
rehearsal; the process may be spread over
several weeks.
Give an Overview
The overview gives choir members a
general feeling for the music. Read, or have
someone in the choir read, the text aloud and
briefly discuss its message. Next let the choir
sing or hum through the entire piece. Then
briefly discuss the unique qualities, interesting
elements, and mood and style of the music.
Teach the Notes
The best way to teach the notes is to divide
the singers by vocal group (soprano, alto,
tenor, bass) for sectional rehearsals. Sectional
rehearsals save time and keep the singers busy
learning their parts instead of waiting for their
turn to rehearse. Although it is best to send
each group to a separate room, it may be more
practical to divide the choir into two groups,
men and women. An assistant director can
help with sectionals. If it is not possible to
divide, work with each section of singers in
turn while the others hum their notes.
The following are guidelines to help you
teach new music to the choir:
1. Divide the piece into smaller parts and
teach it segment by segment. To divide
the piece, find places where natural breaks
occur or divide the piece into segments
of one or two pages.
2. For each segment of music, take each
vocal group through its part while the
notes are played on the piano or organ.
The singers may be able to hear their
notes better if the accompanist plays
them in octaves. The singers can hum
or sing
3. Teach troublesome rhythms by having
the choir clap or say the words in the
proper rhythm.
4. Teach difficult notes by singing or
playing them while the choir listens.

hear. Try singing a difficult passage five
or six times in a row or very slowly.
5. While one group learns its notes, have
the other groups study theirs or hum
them to hear how they harmonize with
the rest of the choir.
6. While the singers learn the notes, have the
accompanist play the vocal lines rather
than the accompaniment.To find out how
well the singers know their notes, have
them sing without the piano or organ.
7. When each vocal group can sing the
segment of music, join two groups
together (the basses and tenors or the
sopranos and altos). Add a third group
and then the fourth. Listen for wrong
notes or other problems, correct them,
and move on to the next segment
of music.
Then have the singers repeat what they
Put It Together
When each section knows its notes, put all
the elements together. Direct the choir through
the entire piece, still listening for problems.
Give direction to the singers concerning tempo,
dynamics, and interpretation.
Use most of the time rehearsing those parts
of the music that need attention. This is the
time to pay attention to the details of the music,
making sure the technical aspects are in place.
Polish the Performance
When the technical elements are worked
out, polish the number by focusing on balance,
blend, and interpretation. This will add artistic
refinement and musical feeling to the choir’s
performance.
Give a Review
Before ending a rehearsal in which the choir
has learned a new song, have the choir sing
the song one last time. Then review the new
piece in each rehearsal until the performance
because some relearning will be needed.

 

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